one direction midnight memories interview

He continued to write throughout his childhood, even making an album in eighth grade that he was selling out of his locker. Ryan wrote his first song in third grade, learning to play guitar and piano at a young age. He grew up the youngest in his family with his mother, older brother Joe, and older sister Julie. His compositions and productions have sold over 30 million units worldwide. He has written songs for many acclaimed artists.

He is best known for co-writing and co-producing One Direction's last four albums and many of their singles. In the story of their life as a band, though, Midnight Memories stands out as a particularly special moment.John Henry Ryan II (born August 19, 1987), also known as John the Blind and JRY, is an American songwriter, singer and record producer from Rochester, New York. They would maintain that zest for one more album together, the prophetically titled Four, before Malik would exit to pursue a solo career. And the boys were clearly still having so much fun, as evidenced on the soaring “Better Than Words”, its lyrics a roll call of instantly recognisable song titles (“Crazy in love/Dancing on the ceiling”). You’ll find prominent nods to the strumming folk rock of Mumford & Sons (“Happily”, “Something Great”, “Story of My Life”, “Through the Dark”), echoes of The Police (“Diana”), elements of The Who (“Best Song Ever”) and even later-years Take That (“You & I” and “Right Now”). One Direction were a band unafraid to wear their references boldly and that is especially apparent on Midnight Memories. “Alive” leans heavily into the record’s beer-bottle swigging rock ’n’ roll, albeit with a bright-eyed chorus so sweet you could safely take it home to meet the parents. This Deluxe version also included four bonus tracks: Some, like the pogoing “Why Don’t We Go There” and the slick “Does He Know?”, feel more closely aligned to the band’s softer early material. “Diana”, which was co-written by Payne and Tomlinson, contains one of the band’s catchiest choruses and remains among their best songs, while “Little Black Dress” is genuinely sexy, the group singing “I wanna see the way you move for me, baby” over scuzzy and strutting guitars. The Def Leppard-esque title track is a perfect example, with its thrashing ’80s hair metal guitars and chant-a-long chorus, but there’s also more sophistication to the songwriting, too. And so, the songs on Midnight Memories feel more muscular and beefy. Gone were the foppish haircuts and clean-cut image: This mature version of One Direction were rugged and had designer stubble, their boyish charm replaced with the brawn of young adulthood. However, by their third album in as many years, One Direction had become so ginormous that their cheeky, youthful sound needed to grow with them. Their first two albums served up safe and peppy (read: kid-friendly) pop rock along with schmalzy balladry that ensured the faces of band members-Harry Styles, Zayn Malik, Niall Horan, Liam Payne and Louis Tomlinson-were plastered over teenage bedroom walls the world over. While the rest of pop was still hypnotised by the euphoric highs of EDM, One Direction swerved left. The song is actually a play on words-not that it really matters: By the time One Direction released their third record, Midnight Memories, the group had shaken off their manufactured mantle to become the biggest British group since The Beatles. Calling the lead single from your album “Best Song Ever” could be misconstrued as an act of almighty hubris, especially from a boy band constructed by Simon Cowell on a reality TV singing competition.

One direction midnight memories interview